Adventures in Seeing: Welcome the Unexpected, Part Two

As I mentioned in my last post, sometimes the unexpected is very difficult to welcome. The header photograph is my record of some of the unexpected things we had to deal with last month. A fortnight on, things are beginning to settle down, and I’m trying to get back to something approaching normal – whatever the new normal is.  

Creativity is still limited: I’ve found sticking to established routines helps. Creative Sprint, which has been my life saver, has finished, but I’m trying to keep the impetus going by resuming 365 – Make Something Every Day.

I’ve concentrated on filling in the gaps where I missed days out before, and using familiar techniques because I don’t have the emotional energy to try anything too new. I do like the blue feather, though.

The Year of Stitches is making slow progress, but this one has reached the stage where I’m thinking ‘I quite like this’ which motivates me to finish it, so I speed up. I’m planning an outbreak of flowers in the centre, spilling over the lines.

I’m still knitting samples from Nicky Epstein’s ‘Knitting in Circles’, but I have also made an SKO. 

This is a particularly strange ‘strange knitted object’ because the wool (Airedale Wool’s ‘Lustre’, which is otherwise lovely), biased – hence the slanting embroidery and the off balance shape. I don’t usually block SKO’s, but I’m thinking of experimenting with stuffing them with plastic bags to try to even out some of the lumps and bumps. 

When I sat down to write this I thought it was going to be short, because I hadn’t done much – but there ‘s more than I thought. So even if no-one’s reading this, I’ve cheered myself up a bit, which has to be good.


Samplers, samples and experiments.

I’m really enjoying this Year of Stitches sampler. I’m much more process than product driven, so I like this sort of piece, where I just get started and follow the ideas that come up as I’m working. It doesn’t always work – it didn’t for the first Year of Stitches sampler, but I’ve realised that it works better if I put down some guidelines when I start, though I am very likely to change my mind later. This one started with wave-like lines across the fabric, but as you can see, they morphed into leaves and petals.

Unfortunately, the Frixion pen I used to draw the lines has left marks on the fabric so it’s a good job I’m not so worried about the product. I’ve had it happen before on coloured paper, but not on fabric. This is hand-dyed with Procion, so maybe Frixion and Procion don’t get on – I know Procion is supposed to discharge with bleach.

The experiments didn’t work. I’ve had some alcohol inks for ages, and never done much with them, so I decided to have a play. They worked OK on various bits of plastic, spread with some felt in a bulldog clip, but I wasn’t wildly excited by the results. I read somewhere that you can drip them into water and marble them, so I gave it a go. 

The results were so awful I didn’t even take photos. I think the ink set as soon as it hit the water. The white just went into clumps,   and the other colours  were reluctant to marble. I did dip sheets of plastic into the mess and some ink was picked up, but as it dried it just flaked off. So I put the results down to experience and in the bin.

The knitted samples aren’t very exciting either. I’ve found when I make my SKO’s that I tend to use the same few base patterns and some of them don’t  lie flat.

So I’m working my way through Nicky Epstein’s ‘Knitting in Circles’. I shan’t try all 100, because:

a) some have seams and I refuse to sew up seams;

b) some of them, like the really lacy ones, are probably unsuitable – although it might be interesting to try one or two;

c) I shall get bored. 

The icord knitting hasn’t gone away. I currently have 4 on the go. The 7 metre blue one is in the process of being coiled into a bowl/basket, but the process is hard on my arthritic hands, so it proceeds slowly. The yellow one has been sewn into a loopy thing (in both senses of the word) and is awaiting the addition of beads and French knots. The shorter blue one will be wired, unless a better idea comes to me. And I have a brown one on the needles, which is progressing slowly for icord. In theory if I slip stitches at regular intervals it should become kinky – although there is no sign of it doing so yet. The problem is that, to ensure the slip stitches come in the right places, I have to chant ‘1 2 3 slip’ as I knit – there are 3 stitches so this means that the slip stitch moves one stitch over each row. Should be easy? It isn’t. It’s a bit like meditating in that my mind wanders, and I find myself just counting ‘1 2 3’. Which does not work.

The openness photographs have fallen by the wayside a bit, but I hope to find a few more before I move on the next topic in the middle of the week. There is this one, though. Guess which book this is?

Still here, still sampling. 

Plus some embroidery, and winding of balls. Of wool, you understand. And some photography. I’m fascinated by the reflections in our wet car, but it’s difficult to take photos without them turning into selfies. However the iPad conceals quite a lot.

These are the previous three samples, finally shrunk. The polypropylene ruffles on the left remind me of those wonderful chickens with amazingly feathered heads, which is probably why I’ve been sketching bottle-shaped SKOs with feather necks. 

You knew I was weird, I hope?

 This is the current sample – more polypropylene, but in loops and bulges this time. I got carried away with various ideas from Nicky Epstein’s  ‘Knitting Over the Edge’, but I think the loops are my favourite. 

This afternoon I’ve been balling up hanks of yarn for future SKOs. This is Airedale’s wonderful Poodle Super Gimp, which looks and smells nicely sheepy. (That’s not a criticism – I love the smell of real wool.) I have no idea how you would use this for conventional knitting, but I see stripes of it on an SKO in the future. Or the sides of an SKO. Who knows?

 I shall sample it to check needle size and see if it felts, though I suspect it will.

This, on the other hand, probably won’t, as it contains a high proportion of nylon. It was an irresistible bargain from my local Oxfam shop – 400gms for £3.96. I shall sample it just to confirm it doesn’t shrink, and then  probably space dye it for use as a non felting yarn with some all wool Aran. I think from the labelling and Google that it is getting on for 40 years old, but it seems in good condition- clean, and no sign of moth. 

And I’ve started a new Year of Stitches piece. I’ve decided that today will be my last day with the beige one, I really don’t like it, so why carry on?  New month, new start – though I jumped the gun a bit. This is an old bit of handdye, plus some hand-dyed and commercial threads – and one of my favourite sayings. I keep telling myself to work small but it doesn’t seem to happen.

Sampling, sampling, sampling.

This odd object is my latest (almost) finished sample – an exploration of oversized stitches and what to do with them. Those running in the direction of knitting were (deliberately) dropped stitches which I unravelled. The bands which go round the knitting are yarn overs. Before felting, I wove through some of the gaps, embroidered others, and left others as they were. I added some surface embroidery in some of the gaps.

Unfortunately the ribbons I wove through to resist the felting came out in the wash, but the holes haven’t completely closed up anyway, and I rather like the uneven effect. 

I shall add some more weaving before it’s finished, but there are already some ideas there to follow up. I like the dark blue band, woven with a thick twisted cord, the thick section where I wove with thick wool which has also felted, and a section on the bag where I worked simple running stitch in a thick yarn. 

As you can probably see, I’m working on different types of holes in the sample I’m working on now, on the right. The one on the left is the polypropylene one I wrote about last time. I shall stitch the edges of the polypropylene sections together to make tucks when I can work up the energy. I was going to knit them in as I went along but picking up the stitches was a little difficult, because the polypropylene is splitty. 

The Year of Stitches carries on. I am adding shisha mirrors to the black one, which has been a learning experience. I think it is close to being finished, although I may add some couching.

I can contain my enthusiasm for the other one: I’m not sure whether to carry on with it, or to abandon it and start something new. It has also been a learning experience – l learned that random colour schemes are not a good idea…

Life goes on.

There’s been lots of knitting since I last posted – including my fugly socks – so ugly that I photographed them in B&W to save you from the full horror of the colour scheme. But I normally wear them inside my slippers, and anyone who is close enough to see them will be grovelling at my feet, so I think I can get away with it.

My main Year of Stitches embroidery also demonstrates some horrible colour schemes – which is probably to be expected when you pick colours at random. When I studied colour theory for C&G embroidery, we were challenged to produce an ugly colour scheme. I found it quite difficult at the time – should have dawned on me that purple, yellow, orange and rust really don’t work together.

The threads for the one with a black background were carefully chosen, so, apart from the blue which reads as black, the colours are better.

I’ve finally finished the four Yorkshire Wildlife Trust vessels. I’d love to be able to use their wool for SKO’s, but I think it’s too fluffy for them – stitch patterns just vanish when felted. Might work for colour work, I suppose – which might be an excuse to buy some more. 

The before and after photos are of an SKO made from some left overs from the giant gloves – Berber rug wool from the much missed Texere yarns, although I think Airedale yarns sell it. I wasn’t sure how well it would felt, but it does so quite nicely – stands up well, but still plenty of stitch definition. (The odd colour of ‘before’ is because I photographed it in artificial light- ‘after’ is much more accurate.

I’ve got another experimental sample waiting to have some embroidery/weaving added to it before it goes in the wash, and one on the needles which has stripes of cream wool and fine black polypropylene. I kid you not, Airedale yarns sell it, and it’s softer than I expected, and quite easy to knit with, apart from being a bit splitty. We will see what happens when it meets the hot water.

Progress on several fronts -eventually.

The Yorkshire Wildlife Trust SKO turned out OK,  albeit a bit smaller than I was anticipating. It probably wasn’t worth working the pattern on it as it’s almost invisible in all that fluff, but it’s quite cuddly. I learned to sample before I knit, though it didn’t seem worth it for a piece made from 1 50gm ball.

The samples were rather less successful. It took three goes through the washing machine, at gradually increasing temperatures, to get any visible shrinkage, but I wasn’t intending to use this wool for a full scale SKO, (it’s 4ply) so that’s not a problem. I also learned that the colour of the black string runs. And that fake purple raffia is not my thing.

Despite  having a feverish cold for most of the week, I managed to keep up with 1 Year of Stitches. I learned that the black one is b****y difficult to photograph. 

And finally, after several weeks of procrastination, I added some stitch to an older, not so strange knitted object, which has improved it somewhat. I learned that stitch won’t correct a crooked SKO.

Quite a lot really, considering how grotty I felt for most of the week.

It’s been a busy week.

I knew it was going to be, but when the VHC went down with a tummy bug and had a couple of days off school, it got busier. (He’s better, I’m glad to say.)

Despite that, I seem to have got quite a lot done. There has been wire knitting – the beginnings of another vessel, and some earrings I will probably never wear.

So why make them? Well, the current MSED prompt was about ears, and I couldn’t think of anything except earrings. Except I’ve made a lot of earrings in my time (and I rarely wear those either). So rather than repeat myself completely, and as I’m experimenting with knitting wire, I decided to knit some. I cheated and found a pattern on Knitty, and after lots of mistakes (not the pattern’s fault) I quite like the result. If I was 30 years younger and less grey, lined and haggard I might wear them.

Other knitting has taken place. I can’t knit wire and read subtitles at the same time, so I had to cast on some conventional knitting as well. This is a sample of Sequence Knitting in the round, quite small, but I like the look of it, so I will probably add a base and felt it.

That’s a bit conventional, but I have just finished two SKO’s.  Both experimental, both due to be felted. I’m not sure if thecream  vessel will work, but you never know till you try. The long thin scarf will have the edges wired and it will then coiled up in some, as yet unspecified way.

And finally…

a homemade, largely recycled sketchbook. The cover is the cardboard from a book order, the pages are mostly flyers, painted with emulsion and Brusho. 

And that, plus a very helpful discussion about art, life  and everything with my friend N. made up my week.