Samplers, samples and experiments.

I’m really enjoying this Year of Stitches sampler. I’m much more process than product driven, so I like this sort of piece, where I just get started and follow the ideas that come up as I’m working. It doesn’t always work – it didn’t for the first Year of Stitches sampler, but I’ve realised that it works better if I put down some guidelines when I start, though I am very likely to change my mind later. This one started with wave-like lines across the fabric, but as you can see, they morphed into leaves and petals.

Unfortunately, the Frixion pen I used to draw the lines has left marks on the fabric so it’s a good job I’m not so worried about the product. I’ve had it happen before on coloured paper, but not on fabric. This is hand-dyed with Procion, so maybe Frixion and Procion don’t get on – I know Procion is supposed to discharge with bleach.

The experiments didn’t work. I’ve had some alcohol inks for ages, and never done much with them, so I decided to have a play. They worked OK on various bits of plastic, spread with some felt in a bulldog clip, but I wasn’t wildly excited by the results. I read somewhere that you can drip them into water and marble them, so I gave it a go. 

The results were so awful I didn’t even take photos. I think the ink set as soon as it hit the water. The white just went into clumps,   and the other colours  were reluctant to marble. I did dip sheets of plastic into the mess and some ink was picked up, but as it dried it just flaked off. So I put the results down to experience and in the bin.

The knitted samples aren’t very exciting either. I’ve found when I make my SKO’s that I tend to use the same few base patterns and some of them don’t  lie flat.


So I’m working my way through Nicky Epstein’s ‘Knitting in Circles’. I shan’t try all 100, because:

a) some have seams and I refuse to sew up seams;

b) some of them, like the really lacy ones, are probably unsuitable – although it might be interesting to try one or two;

c) I shall get bored. 

The icord knitting hasn’t gone away. I currently have 4 on the go. The 7 metre blue one is in the process of being coiled into a bowl/basket, but the process is hard on my arthritic hands, so it proceeds slowly. The yellow one has been sewn into a loopy thing (in both senses of the word) and is awaiting the addition of beads and French knots. The shorter blue one will be wired, unless a better idea comes to me. And I have a brown one on the needles, which is progressing slowly for icord. In theory if I slip stitches at regular intervals it should become kinky – although there is no sign of it doing so yet. The problem is that, to ensure the slip stitches come in the right places, I have to chant ‘1 2 3 slip’ as I knit – there are 3 stitches so this means that the slip stitch moves one stitch over each row. Should be easy? It isn’t. It’s a bit like meditating in that my mind wanders, and I find myself just counting ‘1 2 3’. Which does not work.

The openness photographs have fallen by the wayside a bit, but I hope to find a few more before I move on the next topic in the middle of the week. There is this one, though. Guess which book this is?

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