Progress report

As you can see, one of the bits of papier-mâché has dried out. The other remains pretty damp, despite bringing it into the house and having the heating on. 

I’m not sure what to do with the half-balloon,  though. Isabel Hall couches stuff on to hers, which is a possibility, if I can find something which is a) thick enough for it not to take forever – this thing is quite big – and b) long enough not to run out before I get to the end. I have some single hanks of Collinette which may do, although they are mostly purple, and that doesn’t feel right. These 3D things tell me they want to be neutrals. I spent an afternoon earlier in the week attempting to make machine cord with some chunky brown wool left over from mammoth gloves, but after about 3 hours gave it up as a bad job. 

Despite that, it’s been quite a productive week. I have Made Something (almost) Every Day – plus the paper mache which was also MSED. 


You will have noticed that some of these are circular, which means I can use them for the 100 days project as well. 

I have painted the wire and plaster SKO as well, but no point in photographing that, as I painted it white.

And I have started making a small embroidery (almost) every day – if child care doesn’t get in the way. I started something similar after I’d read ‘Slow Stitch‘, but I made the mistake of making it too elaborate, so it ceased to be relaxing and contemplative. 

So now I make one tiny piece at a time, using scraps, and aiming to finish it in around 30 minutes. Well, that’s the aim! I’m more or less following the rules set up by Liz Kettle in this video, but I’ve added an extra one – the first piece of fabric must be picked from the box of scraps with my eyes closed, and whatever comes out I have to use. After that I can pick what to use with it.


Now you know where I get my chocolate from, if only when I’m feeling in need of emotional uplift. 

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Where do I go from here?

Over the weekend, I had one of those moments (would it were only a moment) of self doubt – where am I going?  What am I doing? Is it the right thing? If not, what is?

I decided that the little gloves/hands weren’t going anywhere – on a conventional scale they just look like gloves – and that the masks which I had got excited about after making one for MSED, weren’t going anywhere either. I still like the knitted vessels, but as the lovely Dr James Fox said in his excellent programme about conceptual art last night ’Art without ideas is merely decoration’. 

After a discussion with Wensleydale, who is my best critic (he isn’t afraid to tell me when something doesn’t work, or I’m talking cobblers, which is what I need) I decided:

1. What I want to make is 3D stuff,but it doesn’t have to be knitted, and it doesn’t have to be seamless. (It was a desire to make seamless 3D shapes in fabric which led me to knit them in the first place, but I’m over that now.)

2. So I should just start making 3D things (what sort of things to be decided) in all sorts of fabric techniques and see where the journey takes me.

Hence the wire SKO you see in the image. As an extra touch of weird I dipped it in plaster. Of course the plaster falls off when you move the thing because the wire knitting is very flexible, but ‘it’s only a sample’ – and probably ‘merely decoration’as well. 

I also, regrettably, decided to have another go at papier-mâché. This was a mistake. (You can read more about why over on my other blog.) Papier-mâché and I do not get on.


Two days later the things are barely any drier than they were, although the weather hasn’t helped.

However – they are ‘only samples’, and ‘a learning experience’, although I don’t seem to have learned that papier-mâché and I don’t get on, because I bought one of these in Poundland yesterday.  Not to fill it with a strange green drink to ‘share with  friends’, (I’m not that weird), but because I thought it would make a good mould for papier-mâché. 

So, that was where I was this morning. No more gloves, no more masks, just playing with 3D techniques and enjoying the journey. Well, the bits where I didn’t get covered with paste and bits of paper,  anyway.

Then, despite my decision to give up mask making, I went to the Russell-Cotes Gallery, where they currently have an exhibition of masks and puppets. Which of course reawakened my interest in masks. Now masks are 3D, but in the heavy engineering, carved wood, moulded plastic or, heaven help me,  papier-mâché  sort of 3D. Plus, the masks I found most interesting were the African and Mexican ones, and I try to avoid cultural appropriation. The European comedia del arte masks were lovely but very 3D, and didn’t really inspire me anyway.

So what to do? I’ve had another conversation with Wensleydale, and we’ve come up with a few ideas about masks. The trouble is they don’t involve 3D work, and I was really looking forward to exploring those techniques.